Saturday, 18 April 2009
From Monmouth - The Return
I'm back.
Clearly I haven't been wandering the street of Monmouth all night, although actually I know people who have, but that's a whole other set of stories.
Actually, before I leave the distractions, I must mention that I have a secret.
I've a very simple and effective way of avoiding distractions.
I turn them into 'work'.
I do this using one or more of three vital pieces of equipment
Firstly, and most commonly, is The Notebook, in which I make jottings of something I've seen, heard or thought during what would otherwise be a Distracting Activity.
For example, while in Monmouth I happened to be walking behind a young couple where she was demonstrating to him, as they walked, and with running (no pun intended) commentary, the different ways she moved so that she didn't fall out of her flip-flops. It was entertaining and illuminating. I stopped in the high street to make notes. Look for these 2 characters in a sketch some time in the future.
Secondly, the Mp3 player, and more to the point, recorder. By which I make recordings of general sound like 'In the high street', or specific like '3 seagulls on the Monnow Bridge'. Such recordings to be utilised when appropriate for sonic-inspiration or as a necessary accompaniment for a short film that I'm bound to make at some point.
Thirdly, the camera, which I use to take extract-angle shots of what my sister refers to as my 'miscellaneous architecture' images. For example, the base of the wall in between Ruby Tuesday's and what used to be Woolies. I store these images for rainy days when I'm wanting to do site-specific work but it's too wet.
And now for my WAC work ... more later ...
Fi
xx
Friday, 17 April 2009
Paper Bark

The eucalyptus so very much part of the Australian landscape...its bark looks like the earth itself.
Sue is in Ireland now hopefully seeing some the Celtic crosses depicted on this piece and connecting to her Irish roots.
Pictures for the equinox

They are of a piece of stone that was left over when we had our fireplace re built and has been left outside for over a year, leaning on a wall. I had noticed that the weathering seemed to be bringing out the colours, especially in that 'just about to be dusk, but its a spring sun' sort of light, so I have tried to capture it.
The camera hasn't caught the colours quite as vibrantly as they appeared, but I'm pleased with the results.
Is it a stormy sea side? Or a rocky sunset? Hmmm. One of them looks like there's a person in the corner.....
Photos and text from Liz.
Wednesday, 8 April 2009
the end of another beautiful spring day....
Imbolc

The stillness of ice and water
reflects the depth of soul
trapped in winter solitude
waiting to grow
Lindsey Starborn
Going back in time a bit.....this is a poem for Imbolc from Linsdsay to accompany the Imbolc photographs taken by Liz. There are more beautiful photograhs on Liz's own blog here. Sally
Ishtar’s Story

Ishtar sighed; she was cold and fed up. Rua’s droning voice had lost its fear over the last few days and Ishtar was longing for the warmth of her home and a bowl of her mother’s broth.
Sensing her student’s distraction the elderly Rua paused and hissed loudly in Ishtar’s direction. She knew the pressure on Ishtar was great but time was short and there was much to learn if the ceremony was to be a success.
Several minutes later Ishtar conquered her concentration and her tongue and was able to recite the ancient words in an acceptable form. Learning to pronounce the invocations correctly had required all her time and effort over the past week; both physical and mental. Their deeper meanings were lost to her; in time Rua would educate her new understudy.
Ishtar’s knees were numb; she had been kneeling since shortly after dawn. Pins and needles had set in quickly, followed by shooting pains up her thighs which had lasted until the numbness took hold and gave her some relief.
“You may leave now but be back here an hour before dawn,” Rua snapped at the exhausted child. Realising her harshness, she held Ishtar’s arm gently for a moment and said, “You’re doing well. Don’t worry; the Gods will help you when the time comes.”
Ishtar hurried home, her mind full of ancient verses and her empty belly. She had not eaten since the first streaks of dawn had interrupted the night sky. Rua had insisted that throughout the training she broke her fast with only dry bread and water. A full stomach was a distraction and bought on lethargy, according to the wise woman.
The vernal equinox ceremony was to take place in the sacred grove tomorrow at first light. The whole clan would be there to welcome The Great Mother and pray for her gift of hope and new life. A gift that was sorely needed; the clan had suffered during winter, starvation and fever had taken the oldest and youngest members of the small tribe. Ishtar’s baby sister had faded and quietened as the shadow of her soul passed into the care of Morrigan, goddess of death. Now as a crow spirit, she flew free over their settlement.
Her grandfather too had left their world; his toothless mouth had receded and his eyes sunk until he resembled the skeleton he was soon to become. Shortly before he died he had called Ishtar to him and grasping her hand with a firm grip he had stared deep into her eyes.
“I have something for you my precious star. Be true to your namesake and safeguard the honour of the tribe. You are our future.”
As the tears had slid down Ishtar’s solemn face, he pushed a smooth, grey stone into her tiny, cold hand.
“Keep this with you always, it is the rock from which our family was spawned and it must be guarded with your life until it is your turn to pass it to the youngest family member.”
“But how will I know when it’s the right time?” she had stuttered through her sorrow.
“You will know as I know now. I will be with you always as will the ancient ones who have been with me always,” he paused, breathing heavily, “Now, return to your mother and tell her I wish to speak to her.”
Ishtar had placed the priceless stone carefully into her leather pouch and turned to leave, feeling the stone grow heavier as she perceived the responsibility of holding it.
Although she had lived only eight summers she understood that her grandfather was dying and her self control was no match for her grief. The man who had taught her so much, who had held her hand when the nightmares came and who had taught her the names of all the stars was leaving her and there was nothing she could do.
Throwing herself onto his frail body she had clung to him; her tears and sobs shaking her body until finally exhaustion had left her limp in his arms. He had sung to her, stroking her head as gently as he could with his gnarled, work toughened hands.
She had woken hours later, alone in her hut. She knew he had gone before she heard the chanting.
Her mother Graine was singing as she stirred a large pot of steaming soup. Ishtar smiled; it had been a while since song had visited their home. The death of Graine’s second daughter had affected her deeply, following so closely after the death of her father.
Graine was proud of her daughter, leading the ceremony was a duty not usually required of one so young. Only the premature death of the other pre-pubescent girls in their dwindling clan had forced the honour on Ishtar.
“Did the practise go well today? Was Rua satisfied with your progress?” Graine asked anxiously as she poured the ever thinner herb broth into a wooden bowl.
Ishtar described the endless chanting and Rua’s harsh words between gulps of broth, careful not to waste any of the liquid which was beginning to penetrate her icy bones and relax her tense muscles.
“Its time to rest, Ishtar; lie down and I’ll sing of your success in gaining the favour of the Great Mother.”
Ishtar crawled onto the straw matt, pulled the bear fur over her head and listened to Graine’s soothing voice. Sleep took her so quickly that she wasn’t aware of it until the dreams came.
Graine watched anxiously as her only child slept. Rua had sworn the Fly Agaric potion would be safe despite Ishtar’s slight frame, but she was fearful. Sitting by her daughter’s side all night, occasionally touching her sweat beaded forehead, Graine prepared the pouches of seeds to be blessed during the ceremony.
Ishtar’s dreams were vivid yet muddled; colours and shapes pixelated across her fluttering eyelids, voices fought with each other as they tried to whisper in her ears. Yet, she was not afraid; her grandfather sat beside her, their hands entwined as the spirits danced in her mind.
Graine’s husband Bith returned shortly before light stretched its fingers across their village, a new staff in his hand. He was ready for the ceremony; his face freshly painted yellow, pink and green as befitted the time of year.
They neither kissed nor touched as tradition taught; the time for this would come after the ceremony and feasting. Their eyes locked, Bith’s full of concern. Graine smiled and nodded reassuringly in reply.
Unconsciously she put a hand to her belly. Hope wriggled inside.
It was time to wake Ishtar.
The family walked to the sacred grove, home of the goddess Nemetona. As they walked, other members of the clan joined them, until all four family groups had taken their places amongst the trees. At its centre grew an alder tree and around the tree grew gorse bushes, symbols of fertility.
The men banged their new staffs rhythmically on the ground as they chanted slowly in a hypnotising baritone to wake the sleeping spring. The women keened, lamenting and honouring the death of winter.
Ishtar had not spoken since they had wakened her; a trance-like state had transformed her child’s face into that of a young woman. Head erect and eyes wide, she walked confidently to her destiny.
Rua needlessly beckoned Ishtar to her place in the centre of the circle and began the ceremonial words.
“To the Great Mother, maiden of the spring, we call upon your wisdom and request your energy, love and compassion. We have come to honour your power, nature, the balance of warrior and inner spirit, and give thanks for this season of renewal and rebirth.”
The tribe responded with the customary chants which echoed Rua’s to give them strength and power.
Ishtar took the sacred birch wand from Rua’s outstretched hand and walked to the far northern part of the circle, the place where the sun never reached. She tapped on the ground three times. Her mouth was not her own, the words came from somewhere inside where the voices of the ancestors swirled. Her heart pounded and she wondered disconnectedly how she could speak when her mouth felt full of ash.
“Watchers of the North, we call upon your wisdom and power to witness this celebration of divine balance.”
Repeating the tapping three times, Ishtar moved to each cardinal point and voiced the words that Rua had taught her. Her actions and words created a circle bordered by the clan and opened a doorway between the worlds.
She felt the clan’s eyes upon her and shivered involuntarily even as sweat began to form on her forehead. She returned sedately to a chanting Rua at the centre of the ring.
Looking solemn, Ishtar held out a copper bowl while Rua blessed it, waving her rowan wand across it three times.
“By the power of the four elements, I consecrate this vessel in the name of the Great Mother.”
One by one, the fertile women of the tribe walked to Ishtar and placed pouches filled with seeds and dried berries in the bowl. The men followed, placing spear heads and leather animal traps on top.
Graine’s eyes met Rua’s and she held them for what felt like eternity.
“From death, life will come,” the tribe chanted steadily, as they had done since time began.
“Great Mother, bless these seeds and ensure the continuation of your children. Bless these weapons to feed and protect your children. Accept our offerings as we show the depth of our honour for you.”
Rua turned to Ishtar; this was the most sacred and important part of the ceremony and Rua prayed that Ishtar would not fail.
“Eostre, Great Goddess, be with me now,” Ishtar began in a whisper, “fair one, who brings life and renewal; bless our clan with the gift of new life.”
As she spoke, her voice became stronger.
“May the strength of the old bring life to the new,” she continued the long incantation in a steady, haunting tone.
The men in the circle drummed steadily throughout the ceremony and the clan answered each invocation with the appropriate solemn response.
Ishtar found her spirit was detached from her body. From her new vantage point above the group she could see herself, Rua and the clan standing in the grove. She could hear the drums and the rhythm of her own speech in a distant part of her mind, yet she wasn’t afraid.
“Awake, all creatures and seeds, herald the spring. The winter is over, look only to the future,” her voice didn’t falter.
As if in a dream, Ishtar became aware that her spirit was standing beside her mother. Graine looked serene and enveloping her body was an aura of pulsing blue light. As Ishtar reached out to touch the magic she was instantly transported to the side of her aunt, who was also surrounded by glowing light, steady and more subtle than her mother’s aura and the colour of a mid summer sky.
As Ishtar began to wonder if she was dreaming and really still snuggled under the bear skin, she felt herself drawn forward and propelled into her body with a sharp jolt. Once more she could see only through her physical eyes; the doorway was closed and the ceremony was over.
Rua gave thanks to the tribe for their efforts to make the ceremony a success and thanked Ishtar for completing her task.
“I also have something else to say. A message from the Goddess, bought to us by Ishtar.”
Ishtar felt herself freeze as an excited murmur bubbled through the group. She wondered what message was, or if she had forgotten something.
Rua went on once the tribe had quietened, “we have been blessed; there is new life growing amongst us. Give thanks to the Goddess as we celebrate.”
Ishtar thought she had worked it out just as her body folded, like a limp napkin, to the ground.
When she opened her eyes moments later, the first thing she saw was her mother and the first thing she felt was her mother’s hand, tightly holding her own. Rua and the rest of her family stood close by protectively.
“Welcome back,” Graine’s creased brow relaxed and she smiled, “I was so worried, Rua said you’d be well but …”
Her voice tailed off as she drew Ishtar into her arms. Ishtar buried her face in Graine’s hair and smiled. Now she understood the message; there were three babies growing in two women. Her aunt who had the weaker aura must be carrying one child and her mother with the much darker, stronger aura had to be carrying twins; a double blessing for her family and their clan.
Rua gently pulled Graine to one side and knelt down close to Ishtar’s head. She examined her eyes, lifting the lids and peering deep inside, as if seeking another message. She put a hand on her brow and bent close to her ear.
“Say nothing of what you know; there are no guarantees.”
Ishtar nodded solemnly, promising silence with a look.
Later, in the darkness, the clan ate well for the first time in many months. A steaming cauldron of rabbit stew had been gently simmering most of the day. The women had baked bread sweetened with honey and sprinkled with the few seeds that could be spared from their meagre store, for the occasion.
The sound of drums and singing out matched the roar of the fire, as it burned orange-red-black, throughout the night in the centre of the settlement. Fragrant wood smoked and spit fireworks into the sky as the clan danced themselves into a frenzy of worship and euphoria.
Ishtar fell into a deep sleep by the fire after she had eaten her fill, one hand holding the pouch with the ancestors’ stone within. Bith lifted her gently and carried her into their hut, with Graine hurrying behind.
Once they were sure Ishtar was settled comfortably under her bear skin, Graine and Blith retired to their own sleeping straw and furs.
“I wonder who has the new life?” mused Blith as Graine snuggled in beside him.
“I wonder,” said Graine slowly, smiling to herself as Blith began to explore her body in celebration.
A story for the spring Equinox from Liz.
Spring Equinox - A coming of age

Spring arrives and winter must go
Doubt, confusion, fills my mind
I yearn for life afresh
Clinging to the past
For what I’ve lost
Fearinus! *
Is here
Now
Trembling, sweating, I try to progress
Fear for the future holds me back
My brain searches for the past
Alder trees line the sky
A new moon rises
My bleeding stops
Life moves on
So do
I
*In ancient Greece Cronus was represented by the Alder tree. One of his names was Fearinus. The Irish/ Gaelic ogham name for the Alder is Fearn. Fearinus is an Alder God. Translated, literally Fearinus means the dawn of the year. Therefore he is the spirit of the Spring Equinox.
Welcome Marie, this beautiful poem and image is a first contribution from Marie that arrived today. She presented the poem printed in white over the tree image....the shape of the poem and the tree enhancing each other perfectly. Unfortunately harder to read in blog format so I have separated them before posting, I hope you don't mind Marie, but words and images will be together for the exhibition. Sally
Monday, 6 April 2009
Saille Tree Flag
The willow, tree of enchantment, inspirational to poets, artist, musicians, priests and priestesses...at least according to my favourite book on the subject, 'A Tree in your Pocket' by Jacqueline Memory Paterson (actually this is Ian's book but I'm hoping he's forgotten).
Also inspiration for first tree flag...made to adorn the willow at the bottom of my garden, not hung there yet but will be when all the plants are planted and seeds sown....just in time to celebrate the arrival of friends from Australia.
Ogam

Ogam or Ohgam is the secret language of the Celts. Coded symbols with many different subtle layers. It was used for name tags, for marking boundaries and for other more mystical purposes.
As someone who has always been interested in codes and in communication and symbols it was of obvious interest to me. It’s something I have use in my art work before and one of the things Ian and I used in a whole forest series a couple of years ago (must see if I can find some pics).
Well it reappeared....as Tree Flags...more about those soon.
Above is the ogam for Beith (or beth) Silver Birch.
Image drawn using scribbler
another new toy....

...as much fun and time consuming as wordle...why not try scribbler
basically the same principle complete your scribble then use the Alt and the PrtSc keys to copy the image on to the clipboard, then then paste into the a drawing program. These are the simplified instructions! feel free to ignore and just scribble
my original drawing...I have heard all the comments about 'my son/daughter can do better and their only 5' before...

scribbles
Saturday, 4 April 2009
ooooh I'm so excited!



I got the last place on a textile workshop with the wonderful India Flint....
'maker of marks, forest wanderer & tumbleweed, stargazer & stitcher, botanical alchemist & string twiner, dreamer and occasional poet'
later this month I will be splashing around in eco colour – ecologically sustainable natural dyes for textiles
then later this year when my meadow is growing abundantly I can make my own dyes and clothes and integrate textiles into my work....well that’s what i think now, ever the optimist ;)
click here to see India's website and here for her blog all images from one or other of these
just seen that she is trying to organise a workshop in Belgium...i know a few people out there...
Tuesday, 31 March 2009
just couldn't resist....


another play on wordle
i wanted to create a post about some of the feelings associated with 'my meadow'
there was going to be music...if anyone know The Waterboys song with the phrase high far summerland....please please let me know...its driving me mad trying to remember it.....
...anyway many many thanks to Nigel whose present to me this is
...and thanks to Tony whose hard work is making it possible
i have combined the word cloud with one of my summerland paintings...not as successfully as Ian would have...but its a start
Saturday, 28 March 2009
Goddess of Spring
Suvetar by Gjallarhorn
Beautiful Finnish version of the equinox, although parts look more like autumn than spring to me....
Discovered on this blog waking up
Equinox Birds

Fi's wonderful Yezriel may have hatched from a beautiful blue and gold egg the colour of Lydia's Equinox birds....they hover, glide and turn above my head and their shadows do the same on the wall opposite.
We are planning to make more...many, many more as part of an outdoor installation for the Celtic Year exhibition in July.
Anticipations
Friday, 27 March 2009
New Blog
Check it out here http://fi-benson.blogspot.com/
Yezriel
this is my offering for the Spring Equinox.
I have written another piece, an original fairy tale with the theme of rebirth, but I'm wanting to perform it first on a forest promenade with friends including Sally, so I don't want to post it here yet :-)
So, here's a poem for now instead ...
Fi
xx
Yezriel
She knew it was inevitable.
The fluids had dried up a decade ago.
She was just putting off that moment a little while longer.
She wasn't sure why.
Not so that the world would be more ready for her,
because that would never happen,
not even if she waited another thousand years
to add to the fifteen that she'd already spent inside the egg.
She unfolded her arms from where they were wrapped around
her scaline body,
shook her several wings, 3 at a time,
slowly, slowly, slowly stretched out a hand
and started to scratch at the shell with her nails.
Wednesday, 25 March 2009
Equinox project

after a very long day...and a lot of hard work by Tony and much more work than I am used to...we have the start of my meadow
all the 'grass' or moss has been removed and the ground rotovated
today the start of my meadow in a box arrived
seeds and some of the plants....from Landlife Wildflowers...
Landlife works for a better environment by creating
new opportunities for wildflowers and wildlife and encouraging people to enjoy them.

this is the second chance I have had to work with Landlife...they made some beautiful promotional seed packets for me with one of my paintings on the front a couple of years ago
I am really hoping to do some more work with them next year for their tenth anniversary
in the meantime I just have to plant and water and hope...then in two years it should all look like this!

(image from Landlife Country Lane Seed Mix )
by the way I have some extra seed and some cornfield annual mix seed if anyone would like some
Sally
Friday, 20 March 2009
Equinox in Brisbane
Our intrepid Brisbane correspondent just filed this equinox report....
I tried the egg experiment, but suspect you have to not only get the day, but the time right.
Being dependant on machines it occurred to me that it might be easier to employ a seismometer – they are popular on the Pacific Rim since the tsunami. I went looking for one at work. I work for a hospital and my quest had rather disturbing results, none of which reinforced our goal of proving equilibrium around the vernal equinox.
So I grabbed a beer and looked for inspiration in the early evening. We are blessed with mountains (ok, hills) to the west. We see the sunset make its way north along the skyline as the nights close in. This is the time of the year where we loose our sunsets, I would like to tell you it was because of ancient design, but it is our neighbors exploiting the council’s relaxed rules concerning extensions.
We don’t get an autumn in Brisbane but you can tell summer is over. It is getting cool in the evenings. It’s got be 23C out here, even the mosquitoes are wearing long trousers.
Nick







